Jack Whitten: The Messenger Pebbles on the Street Jack Whitten. Atopolis: For Édouard Glissant. 2014....
Articles
By Rina Oh “My name is Thirsty.” Pastel on sandpaper. 27.5” x 19.75” 2022. Image...
by Lanita Brooks-Colbert In 1988, the Guerilla Girls Art Collective posed a powerful question,...
Art After the United States by Jorge Benitez, 2025 The myth of indispensability is...
by Christopher Crosman KATARINA WESLIEN: “I Forgot to Remember” View from entrance to the...
By Charles Gaucher The question of whether the artist is political is far from...
by Jorge Miguel Benitez Nature abhors inbreeding. Ideology thrives on it. The taboo against...
By Lanita Brooks Colbert Art profoundly influences currency, political and economic power, shaping our...
by Katarina Weslien Acknowledgements: “Stuck” by Katarina Weslien first appeared in the Winter issue...