Nov – December 2024 (Vol. 39, No. 2)


Editorial

Daniel Benshana

Minimal Effectiveness in Paris

David Goldenberg

Arte Povera: Art is its Own Family

Nancy Nesvet

Hear Her Speak

Mary Fletcher

Speakeasy: Paris Memories

Maria Balshaw, Director of the Tate
Sophie Kazan professor at Falmouth Art School
Rob Couteau author
Elizabeth Ashe, sculptor

Taking a Pause to Breathe, to Be Still

Lorenzo Cardim

Art in the Ocean

 Annie Markovich


Sept-October 2024 (Vol. 39, No. 1)



July-August 2024 (Vol. 38, No. 6)



May-June 2024 (Vol. 38, No. 5)



March-April 2024 (Vol. 38, No. 4)


editorial 

SWITZERLAND

Gerhard Richter, Engadin Nancy Nesvet

ARGENTINA

From Baires with Love Elga Wimmer

PERU

An American in Lima: A Meditation on a Divided Hemisphere  Jorge Miguel Benitez

LONDON

Entangled Pasts 1768 – Now David Goldenberg

ITALY

El Greco: His Own Peculiar Style Liviana Martin

Speakeasy Miklos Legrady

AFRICA

Front Seat to a Revolution Valerie Kabov

LONDON
When Forms come Alive 
Nancy Nesvet

BOOK REVIEW:

Looking at Picasso Mary Fletcher

 


Jan-Feb 2024 (Vol. 38, No. 3)


The Door to Basel Miami

Elizabeth Ashe


Nov-Dec 2023 (Vol. 38, No. 2)



Sept-Oct 2023 (Vol. 37, No. 8)


Speakeasy – The inexorable rise of the art market, Scott Reyburn

Learning From The Masters. Bradley Stevens

For Bradley Stevens, copying the masters at museums is an ongoing education.

 

Cuba as Realised in Art, Lanita K. Brooks Colbert

Free art education, murals everywhere, and a national museum: Lanita K Brooks Colbert reviews Cuba’s art scene while on a cultural mission.

The Only Thing that’s the End of the World is the End of the
World Elizabeth Ashe

Elizabeth Ashe sees The Only Thing that’s the End of the World is The End of the World” at the Payne Gallery at Moravian University, an installation challenging viewer’s perception of space and place.

Rodney and the Imagination Nancy Nesvet

Artist Rodney Zelenka draws on migrants’ travels, surrealistically using birds and spiders to see something new.

Back to the Future (Art), Stephen Westfall

Stephens Westfall on what happens when the artist leaves the classroom for the unknown.

The Geopolitics of Biennials: Simina Neagu Interviews David Goldenberg

David Goldenberg speaks about art, geopolitics and his new take on the Biennale in an interview with Simina Neagu.

The Great Derangement by Amitav Ghosh (Book Review) , Frances Oliver

Why have critics failed to engage with our most important current issues: climate change and exhaustion of the earth? Francis Oliver reviews “The Great Derangement: Climate Change and the Unthinkable” by Amitav Ghosh.

Editorial – Daniel Benshana

The Once and Future DIY Network Mark Bloch

Mark Bloch reviews the decades old practice of making mail art, and his own mail art work.

 

Here’s looking at You, Casablanca Mary Fletcher

Mary Fletcher reviews the Casablanca school exhibition at the Tate Cornwall, casting new light on a little know but important phenomenon in the 1960’s art world.

Ex Statu Pupillari: Against Guardians Sam Vangheluwe

Sam Vangheluwe writes of the value of getting lost: in a place, a work of art, or anywhere, and the joys of discovering for ourselves what we see and where we go.


Interviews