Op Ed
BRUCE THORN: Art in Our Time and Political Milieu
Speakeasy
STEPHEN FELMINHAM: Art is Our Weapon Energy in Motion
STEPHEN EISENMAN reviews “Abstract Expressionism” at London’s
Royal Academy of Art
“Blood-drenched Brushes and Golden Easels”
JORGE MIGUEL BENITEZ’S second essay of his trilogy: The Avant-Garde and the
Delusion of American Exceptionalism
Has the Arts Council Betrayed Its Origins?
DAVID LEE examines Nicholas Serota’s new leadership of the Arts Council and the
history of this body and its current policies against its founding principles
U.S. Reviews
There was a whole collection made: Photography from
Lester and Betty Guttman” by JENNIFER MURRAY
“Kemang Wa Lehulere: In All My Wildest Dreams” by EVAN CARTER
“Unreal Realms” Five Outsider Artists at Intuit Gallery by EVAN CARTER
Europe Review
“Yves Klein at the Tate Liverpool” by GUY BARKLEY-SMITH
Book Reviews
“The Arts Club of Chicago at 100: Arts and Culture 1916–2016”
by EVANGELINE REID
“Before Pictures” Douglas Crimp’s autobiographical tale by Tom Mullaney
SCOUTING THE BLOGS
Re-Politicizing the Art World THOMAS FELDHACKER looks at the
ineffectiveness of protests in the art community November 8, 2016
JOIN THE STRUGGLE
a new computer game
“Blood-drenched Brushes and Golden Easels”
JORGE MIGUEL BENITEZ’S second essay of his trilogy: The Avant-Garde and the Delusion of
American Exceptionalism